Director of Photography: Emmanuel Lubezki
Director: Terrence Malick
Technical Information:
| Color | Color |
| Aspect Ratio | 1.85 : 1 |
| Camera | Arricam LT, Zeiss Master Prime and Ultra Prime Lenses Arricam ST, Zeiss Master Prime and Ultra Prime Lenses Arriflex 235, Zeiss Master Prime and Ultra Prime Lenses Arriflex 435, Zeiss Master Prime Lenses Dalsa Evolution IMAX Cameras Panavision 65 HR Camera, Panavision System 65 Lenses Phantom HD Gold Red One Camera (some shots) |
| Laboratory | DeLuxe, Hollywood (CA), USA (also prints) EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate) Laser Pacific Media Corporation, Los Angeles (CA), USA |
| Film Length | 3,794 m (France) 3,824 m 3,824 m (Portugal, 35 mm) |
| Negative Format | 35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218) 65 mm (also horizontal) (Kodak Vision2 200T 5217, Vision2 500T 5218) Redcode RAW |
| Cinematographic Process | Digital (4K) (source format) (some shots) Digital Intermediate (4K) (master format) IMAX (source format) (some scenes) Panavision Super 70 (source format) (some scenes) Redcode RAW (4K) (source format) (some shots) Spherical (source format) |
| Printed Film Format | 35 mm (Fuji Eterna-CP 3523XD) D-Cinema |
Related Topics: Close Up