“‘You musn’t be afraid to dream a little bigger, darling.”
Director of Photography
Wally Pfister
Director
Christopher Nolan
Technical Information:
Color | Color |
Aspect Ratio | 2.35 : 1 |
Camera | Arriflex 235, Panavision Primo and G-Series Lenses Arriflex 435 ES, Panavision Primo and G-Series Lenses Beaumont VistaVision Camera, Panavision Primo Lenses Panavision 65 HR Camera, Panavision System 65 Lenses Panavision Panaflex Millennium XL, Panavision C-, E-, G-Series and Super High Speed Lenses Panavision Panaflex System 65 Studio, Panavision System 65 Lenses Photo-Sonics 4C, Panavision Primo Lenses Photo-Sonics 4ER, Panavision Primo Lenses |
Laboratory | Imagica Corporation, Shinagawa-ku, Tokyo, Japan (processing) Laboratoires LTC, Paris, France (processing) Technicolor, Hollywood (CA), USA (also prints) Technicolor, London, UK (processing) |
Film Length | 3,925 m (Portugal) 4,037 m (Sweden) |
Negative Format | 35 mm (also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219) 65 mm (Kodak Vision3 250D 5207, Vision3 500T 5219) |
Cinematographic Process | Panavision (anamorphic) Panavision Super 70 (some scenes) VistaVision (aerial shots) |
Printed Film Format | 35 mm (Kodak Vision 2383) 70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) D-Cinema |
Related Topics: Long Shot