One Perfect Shot:
Shots
Video
Articles
Back to FSR
Movies
TV
Features
What to Watch
Podcasts
Latest Shots
Latest Shots
See all
DRIVE (2011)
GET OUT (2017)
EIGHTH GRADE (2018)
Cinematographers
Andrew Lesnie
Bill Pope
Bradford Young
Caleb Deschanel
Christopher Doyle
Claudio Miranda
Daniel Mindel
Dariusz Wolski
David Tattersall
Dean Cundey
Dion Beebe
Ellen Kuras
Emmanuel Lubezki
Guillermo Navarro
Haskell Wexler
Hoyte Van Hoytema
Jordan Cronenweth
Manuel Billeter
Matthew Libatique
Michael Chapman
Michael Slovis
Newton Thomas Sigel
Rachel Morrison
Reed Morano
Robert Richardson
Robert D. Yeoman
Rob Hardy
Rodrigo Prieto
Roger Deakins
Roger Pratt
Steve Yedlin
Tak Fujimoto
Wally Pfister
Directors
Akira Kurosawa
Alfonso Cuarón
Alfred Hitchcock
Ana Lily Amirpour
Ava DuVernay
Cary Fukunaga
Dan Trachtenberg
Danny Boyle
Darren Aronofsky
David Cronenberg
David Fincher
David Lynch
Denis Villeneuve
D.J. Caruso
Edgar Wright
Ethan Coen
Francis Ford Coppola
George Miller
Guillermo del Toro
Jean-Luc Godard
John Ford
Jonathan Demme
Joss Whedon
Martin Scorsese
Michael Bay
Michael Mann
Nicolas Winding Refn
Orson Welles
Park Chan-wook
Paul Thomas Anderson
Peter Jackson
Quentin Tarantino
Ridley Scott
Rupert Wyatt
Ryan Coogler
Sergio Leone
Sofia Coppola
Spike Lee
Stanley Kubrick
Steven Soderbergh
Steven Spielberg
Tim Burton
Werner Herzog
Wes Anderson
Shot Types
Back to Camera
Between the Legs
Bird’s Eye View
Camera Left
Camera Right
Centered
Close Up
Cowboy Shot
Deep Focus
Dutch Angle
Emblematic Shot
Extreme Close Up
Extreme High Angle
Extreme Long Shot
Extreme Low Angle
Far Focus
Fish Eye
Foreground
Group Shot
High Angle
Keyhole
Long Shot
Low Angle
Matte Shot
Medium Close Up
Medium Long Shot
Medium Shot
Mexican Standoff
Near Focus
Outlaw Shot
Over the Shoulder
POV
Profile
Reflection
Silhouette
Transition
Trunk Shot
DRIVE (2011)
GET OUT (2017)
EIGHTH GRADE (2018)
SNOWPIERCER (2013)
KILLING THEM SOFTLY (2012)
IN THE MOOD FOR LOVE (2000)
THE GRAND BUDAPEST HOTEL (2014)
AKIRA (1988)
2001: A SPACE ODYSSEY (1968)
BRANDED TO KILL (1967)
Load More
